jeudi 9 septembre 2010

INTERPOL Soft limit

A new album from this band from New-York and it is beautiful but in first have a look on this video what a shock!!! Let me know about what you think, I love that stuff!
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BLONDE REDHEAD Penny Sparkle

Hello a new album will be currently avabl on 14th september so I have played this new one and it is not noisy, arty but is melancholic, arty and classy. Lot of machins but it is a really good one may be their best one so buy it if you find it it is recommanded for this sad automn, I love automn!
Here is an ''old'' video from their 23 last lp and I lke this song very much, have fun!



from their album 2007 23

mardi 7 septembre 2010

HELIOS Unleft



It is previously unreleased Helios material recorded between 2000 and 2009, sequencing the resultant tracks as a self-contained album. The resultant fifty minutes plays out as a wonderfully varied sequence that focusses on melodically resonant electronic music. You'll hear some of the compositional techniques they has become known for at work, cutting a tuneful, glitched-up swathe through opener 'Convivium', while the crunchily filtered, slow-core beats of 'Friedel' and 'Distance' channel a hazy, opiated quality. Taking this a little further, the creaking deep bass and beautiful electronic post-rock of 'Cross The Ocean' is touched by the influence of BOARDS OF CANADA, something that could also be said of the downtempo, beat-heavy ambience of 'Bounce Dive', though there's a more playful and openly tuneful quality to Kenniff's music compared to that of the Brothers Eoin, something highlighted by the airier, brighter productions of the Portlander's music. There's also a pronounced cinematic quality to all this, and you can well imagine Kenniff being recruited to score a film at some point down the line, especially given beautifully crafted, acoustic guitar-driven pieces like 'South Tree' or the upbeat, piano-heavy 'The Morning Room', both of which showcase this side of his output very strongly.

FOALS Total Life Forever

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